That's it for now. If I can find the time I'll be doing a round up of the year in the next few days. If you want to be considered for inclusion, post your tunes and mixes in our Facebook community and Soundcloud group.
We're hoping to have a Glitch.FM show in the New Year - watch this space!
...the return of the king! Following on from the Snake Eyes EP, Dave Tipper's dropped a stonker of a release the Bubble Control EP - accompanied by a promo mix that's had glitch hop producers the world over jizzing on their controls with excitement at the quality of his production. Just read the comments below...
Bobby Tank unleashed the epic Vanquish EP on Vermin Street right at the start of the month. Described by Zen Death Squad as a "Pure funk dream" the three original tracks and myriad of varied remixes span post-dubstep, glitch, wonky and funk. Brilliant:
Inaudible served up a killer mixtape this month too, this one for Guildford's KaneFM, which recently got it's licence and have been havin' it even larger ever since. I don't know how he's crammed so much into 30 mins! Catch him in Birmingham on 22 December. Nov2011 Mix for Kane.fm by inaudible
It might not have been November, but Rustie's debut LP, Glass Swords, is still pretty fresh. It sounds a lot like a game boy at a disco. Grab the free sample of All Nite here: Rustie - All Nite (taken from Glass Swords) by Rustie
I was inspired by their Funk Blaster EP for my last mixtape: Are you funking my face? by Morbidly Obese Midget TRACKLIST: Koan Sound - Talk Box K Lab / Funkdamunk - McFly was a Raver Blunt Instrument - Simmer Gently D Carls - All In Koan Sound - Funk Blaster GRiz - I'm Home (FreQ's Moombahton Relick) K Theory - Glitch & Blues Love and Light - Ninjas Brothas Motha William Breakspear - Vowel Mouthed Knight Riderz - Enter Reality Eddy Crusher - Starting Blocks Opiuo - Moose Tooth Bobby Tank - Questar
Ninja Dave's put me onto this wicked slab of electro glitch-funk from London's Sabre Pulse. The rest of the album morphs across the hole gamut of bass music, well worth checking out!
On the flipside Orangudan's served up a beautiful downtempo mix. Good to see lots of Ninja Tune and other flavours in there: UnDaMu by Orangudan
And last but certainly not least, the grand master of west-coast digital psychedelia, Android Jones has an exhibition at Hoxton Gallery opening 28 November. You've probably seen his work in the Inspiralled gallery at Glade, at Boom Festival or in the Fractal Village at Burning Man where it graced the flyer this year and many of these works will be the result of his legendary live performances, where he visually realises his response to the musical environment he's in. Don't miss it!
Comprising three of the most talented early innovators of West Coast glitch hop - Ed Ma (edIT), Josh Mayer (Ooah / Of Porcelin / PANTyRAiD) and Justin Boreta (NastyWays / Slidecamp) - The Glitch Mob have done for their music in the US what Benga and Skream have achieved for dubstep in the UK.
The timeline is fairly similar too. edIT's first release on Planet Mu in 2004, Crying Over Pros For No Reason, is one of the earliest examples of the genre that now not only saturates the West Coast of Canada and America, but has followers across Europe, Australia, South Africa and beyond.
2007 was probably the year that saw the scene begin to consolidate itself, with a second album from edIT, a classic release from Bassnectar, glitch compilations on Muti Music and Interchill, and the first tunes from Ooah and Boreta. In the Bay Area and LA, edIT, Ooah, Boreta and co-founder Kraddy found themselves touring together to promote their sound.
A string of genre-defining remixes as The Glitch Mob followed, freely shared through their website, and collated in 2009's Crush Mode mixtape. The music had all the bounce of the most beat focused hip-hop, all the bombast of rock, and a tendency towards the epic, layered with g-funk synths and guitar crunches. Last year the departure of Kraddy foreshadowed the release of the collective's first self penned album, Drink the Sea.
The album marked a change. It was geared towards live shows rather than record bags, with pounding drums and a stadium feel. As a DJ, I was disappointed an found many of the tracks to be too similar, but Drink the Sea is loved by many and found the Mob a lot of new fans. Although I couldn't make it to their UK album launch at Koko and January 2011 tour, I heard reports of the live show: three guys fiddling with laptops, that didn't fulfill the promise of the epic music.
When we arrived, Pete Jordan was playing a banging bass set that just about covered all bases imaginable. In front of him sat three sets of Ableton controllers, touch screens and electric drums, all controls facing towards the audience. Where they going to be turned around? They surely wouldn't play with their backs to us?
As the edIT led the Mob onstage, black shirts, white ties, in a cloud of smoke, crowd chanting, the trio leaned over from behind their kit, still facing the audience, to begin sequencing and playing touch-pad synths and effects in full view. This was going to be a live show.
With the "put your hands in the air" sample of the opening track, things had the instant feeling of a stadium rock concert. As hundreds of live hand claps began to punctuate the beats, I couldn't help but feel a tingle up my spine.
While some might question the virtuosity of playing patterns on pre-programmed touch pads, tracks like 'Fortune Days' soon began to really show off edIT and Oaah's deft finger-work, trained through years of vinyl teasing. Meanwhile Boreta was a quiet presence on the left, like the rhythm guitarist of the group, constantly cuing and tweaking. The drums got a frequent battering from all three, adding a strong dynamic to their movement on stage.
The stand out tracks were the classic remixes 'Red Dress On', 'Monday' and 'West Coast Rocks', which really got the whole place popping like it was New Year's Eve. It also gradually became apparent that the 'same sounding' feel of the album tracks actually held the live set together as a thematic progression.
The set culminated in an encore opening with the suitably epic 'Drive it like you stole it' and it was another cover, The White Stripes 'Seven Nation Army' dedicated to all the "filthy fucking bass lovers out there" that wrapped things up in triumphant style, to a sea of arm, people sitting on each others shoulders and double-time clapping. The Mob's sound is so warm and all encompassing that I don't think anyone really wanted it to end.
On the basis of last night's performance, The Glitch Mob have successful overcome any criticisms leveled at their live show and are all set to be the melodic stadium-rock pin-ups of the glitch-hop world. The real strength of their achievement for me, though, is that unlike Magnetic Man they've managed to do this without compromising an almost entirely instrumental sound.
Having finally understood the context of the Drink the Sea, I'm now looking forward to seeing where they go with the next album.
Full props to Pete Jordan and the Spectrum crew for getting the Mob over here (twice now!). I'd love to see more US acts brought over next year (ill.Gates, Love and Light, Mim0Sa Stephan Jacobs) with support from UK talent like Zen Death Squad, KrossBow, Inaudible, Bobby Tank or William Breakspear. If you're with me, like this!
So, following a 2011 UK tour from Bassnectar (the first in 7 years), The Glitch Mob also return to the UK this weekend. With dubstep getting ever more US sounding (Flux Pavillion, Doctor P), a jaw dropping EP from Zen Death Squad this summer (pictured above) and an amazing forthcoming tune from Koan Sound on Zane Lowe's playlist this week, the time feels ripe for UK Glitch Hop to blow up in 2012.
On this tip I've started a UK Glitch Hop Facebook page to help you keep track of events and releases, as well as keeping everyone else posted with what you're up to (Like Like Like). According to Facebook there's over 30,000 of us in the UK who like US glitch hop acts, so lets get behind our home-grown talent as well. They fucking bounce! Here's a guide to what's out there at the moment...
Released today, here's a sample of that literal Funk Blaster from Bristol's Koan Sound: Funk Blaster by KOAN Sound
With heavy props from the likes of ill.Gates, Ben Samples and Muti Music boss Dov, this is my EP of the year so far from London's Zen Death Squad. They've just completed a US tour and have a new release on the boil. Cyber Dojo Lazer Training EP by Zen Death Squad
Bigup the originator - Dave Tipper is one of the artists that got this whole thing started and probably the first person I ever heard playing glitch hop in the UK
The first DJ I ever heard smashing balls of lazer crunk across UK dancefloors was Your Niece. He opened for Bassnectar at Secret Garden Party this year and blew the Colisillium apart Your Niece - Headshot Masterclass by Your Niece
I seem to remember Vent from London making heavy ass dubstep smashers, but they've recently co-produced a sick track with ill.gates and Opiuo and released more mid-tempo wobble through Colony Productions Ill.gates + Opiuo + VENT - Trillogy by VENT
Orangudan in Worcester has been smashing out the wobble and mid-tempo for some time NippleRash by Orangudan
On the mid-tempo / electro side of things there's a very tasty producer coming on in Guildford called WBBL Wbbl Up Here by WBBL
Also down in Bristol DJ Parker is rather partial to a bit of glitch-hop. Although I've not yet heard a full glicthed out release from him it can only be a matter of time (nudge nudge, hint hint) Parker - The Monkey Butler Did It...Mix by Parker*
It's 1am on a school night, so I'm bound to have missed about a million people off the list. If I have post your tunes here!
For those who enjoy whomp sauce on their fisn'n'glitch we'll be posting homegrown tunes, events and news.
With Tipper, Zen Death Squad, Koan Sound, Skanky Panky, Akira Kiteshi, Your Niece, Mouldy Soul, Parker, William Breakspear and Inaudible firing on all cylinders, 2012 could be the year that UK glitch-hop really takes off. Let's show them yanks how it's done in Blighty.
